[renaissance poetry] First (of two) classes on George Herbert. His subtlety. The importance of his formal thinking. His conversational style. "The Pulley," "Church Monuments," "The Collar," and "Redemption."
[renaissance poetry] First (of two) classes on George Herbert. His subtlety. The importance of his formal thinking. His conversational style. "The Pulley," "Church Monuments," "The Collar," and "Redemption."