This episode spirals from late-night projections on fish in Long Island to packed gallery openings in New York City — and somehow lands exactly where it should.

We talk wild projection experiments across Long Island, underground photography culture, and the current dam scene issue — including how images are curated, projected, and eventually immortalized in a free, physical magazine distributed through Cycle Gallery.

From there, the conversation opens up into:

• Cycle Gallery’s first major show What Had Happened Was

• A 400+ person opening in the Lower East Side

• Bridging traditional art audiences with NFTs and Solana

• Artist royalties, resale rights, and why visual artists have always been underpaid

• The realities of onboarding “normies” into Web3

• Street photography, projection culture, and real-world art collisions

Then — chaos arrives.

Unfiltered, funny, reflective, and deeply rooted in art culture — this episode captures the mess, the magic, and the meaning behind creating in public.

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🎙️ Real conversations from the edge of art, crypto, and culture