Composed, arranged, performed, and produced by:

Carlos Vivanco

When related to the scale degrees of the major scale, it reads: 1 – ♭2 – 3 – 4 – 5 – ♭6 – ♭7 – 1 The sequence of steps forming the Phrygian dominant scale is: half – augmented second – half – whole – half – whole – whole Traditional use This scale occurs in Indian, Middle Eastern, Eastern European, Central Asian, and flamenco music. It is common in Arabic and Egyptian music, in which it is called Hijaz-Nahawand or Hijaz maqam, and used in Hebrew prayers and Klezmer music, where it is known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North Indian classical raga Hijaz Bhairav (Basant Mukhari) and South Indian raga Vakulabharanam. It is sometimes called the Spanish Phrygian scale, Spanish Gypsy scale (see: gypsy scale) or Phrygian major scale (see: phrygian mode and major scale) and is common in flamenco music. It can also be found in traditional Spanish songs outside flamenco, everywhere in Spain to varying amounts, but especially in southern and central areas of the country, often being also known as escala andaluza (Andalusian scale) in Spanish.