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Note: in the second half of the conversation, Michael asks Terence about play in the "Black community." We want to acknowledge that the somewhat sloppy wording of Michael's question could imply an assumption of a monolithic and universal expression of Black play, when there are an endless myriad of ways play takes shape in diverse Black, African-American, and African cultures and sub-cultures across the world.
By Michael Mirza & Roberto FloresNote: in the second half of the conversation, Michael asks Terence about play in the "Black community." We want to acknowledge that the somewhat sloppy wording of Michael's question could imply an assumption of a monolithic and universal expression of Black play, when there are an endless myriad of ways play takes shape in diverse Black, African-American, and African cultures and sub-cultures across the world.