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A discussion of Jean Marie Teno's 1996 film Clando, with particular focus on how the degeneration of the postcolonial state transforms a sense of home, nation, land, and embodiment.
By John E. DrabinskiA discussion of Jean Marie Teno's 1996 film Clando, with particular focus on how the degeneration of the postcolonial state transforms a sense of home, nation, land, and embodiment.