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A hymn sing can be a history lesson, a prayer meeting, and a freedom school all at once. We gathered to honor Black History Month by lifting African American spirituals out of the margins and into the center, pairing each song with the stories and scriptures that shaped it. With piano, liturgy, and rich context, we traced how melodies carried maps, how verses held warnings, and how worship became a language of survival.

We start with Kumbaya, reclaiming its Gullah meaning—come by here—as a serious plea for God’s nearness. From there, Go Down Moses reframes Exodus as a protest anthem, echoing along Underground Railroad routes and invoking Harriet Tubman’s courage. The set moves through companionship-in-sorrow songs like I Want Jesus to Walk With Me and Guide My Feet, where call and response turns the room into a convoy of care. Along the way, we dig into the oral tradition that kept these hymns flexible and alive, explaining why rhythms and words shift across regions and years.

Midway, My Lord, What a Morning opens a window on apocalyptic hope that doubles as a liberation vision, while reflections on radical welcome root hospitality in love of neighbor. Lord, Make Us More Holy becomes a sung prayer for character that can carry the work. Balm in Gilead answers Jeremiah’s ache with healing and courage, and Were You There invites reverent witness to the cross and the rising. By the closing charge, we’re holding a clear throughline: honor the past, live awake in the present, and build for a freer future with God’s help.

If this journey moved you, share it with a friend, subscribe for more thoughtful worship and history, and leave a review telling us which hymn gives you strength today.

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