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HOTHOUSE 2: Evidence (w/ Forensic Architecture's Júlia Nueno Guitart)
Podcast: Disintegrator (LS 31 · TOP 5% what is this?)
Episode: HOTHOUSE 2: Evidence (w/ Forensic Architecture's Júlia Nueno Guitart)
Pub date: 2026-01-21
Get Podcast Transcript →
powered by Listen411 - fast audio-to-text and summarization
This episode continues our collaboration with Hothouse: The Future of Demonstration, a renegade lab for democracy convened in Vienna, and extends our ongoing inquiry into artificial intelligence, power, and what it means to be human under algorithmic governance.
Recorded last autumn and released amid a so-called ceasefire in Gaza, this conversation confronts the accelerating use of AI in contemporary warfare and policing, where automation does not necessarily produce precision, but rather enables mass violence, deniability, and narrative control.
Our guest, Júlia Nueno Guitart, engineer, researcher, and core member of Forensic Architecture, discusses the organization’s investigations into Israel’s military campaign in Gaza, including projects such as Cartography of the Genocide, The Architecture of Genocidal Starvation, and analyses of AI-driven targeting systems like Lavender and “Where’s Daddy.”
Together, we unpack how these systems collapse civilian life into probabilistic models, violate the principles of distinction and proportionality under international law, and reframe killing as a statistical inevitability. The conversation also explores investigative aesthetics and counter-forensics: methods that assemble fragments (satellite imagery, testimonies, spatial models, sensor data) into material evidence when states and corporations control official archives. We discuss how Forensic Architecture navigates courts, museums, open platforms, and public discourse, and how truth today must be staged as a transparent, collective process rather than a claim of institutional objectivity.
Moving beyond warfare, the episode considers AI as both a tool of domination and a potential instrument for resistance, from documenting state violence to worker-led experiments in platform sabotage and collective agency. Across these terrains, we ask how evidence can still matter amid institutional failure, how violence becomes infrastructural, and how democracy might be rethought when power is increasingly automated.
Links:
Episode: HOTHOUSE 2: Evidence (w/ Forensic Architecture's Júlia Nueno Guitart)
Pub date: 2026-01-21
Get Podcast Transcript →
powered by Listen411 - fast audio-to-text and summarization
This episode continues our collaboration with Hothouse: The Future of Demonstration, a renegade lab for democracy convened in Vienna, and extends our ongoing inquiry into artificial intelligence, power, and what it means to be human under algorithmic governance.
Recorded last autumn and released amid a so-called ceasefire in Gaza, this conversation confronts the accelerating use of AI in contemporary warfare and policing, where automation does not necessarily produce precision, but rather enables mass violence, deniability, and narrative control.
Our guest, Júlia Nueno Guitart, engineer, researcher, and core member of Forensic Architecture, discusses the organization’s investigations into Israel’s military campaign in Gaza, including projects such as Cartography of the Genocide, The Architecture of Genocidal Starvation, and analyses of AI-driven targeting systems like Lavender and “Where’s Daddy.”
Together, we unpack how these systems collapse civilian life into probabilistic models, violate the principles of distinction and proportionality under international law, and reframe killing as a statistical inevitability. The conversation also explores investigative aesthetics and counter-forensics: methods that assemble fragments (satellite imagery, testimonies, spatial models, sensor data) into material evidence when states and corporations control official archives. We discuss how Forensic Architecture navigates courts, museums, open platforms, and public discourse, and how truth today must be staged as a transparent, collective process rather than a claim of institutional objectivity.
Moving beyond warfare, the episode considers AI as both a tool of domination and a potential instrument for resistance, from documenting state violence to worker-led experiments in platform sabotage and collective agency. Across these terrains, we ask how evidence can still matter amid institutional failure, how violence becomes infrastructural, and how democracy might be rethought when power is increasingly automated.
Links:
- Forensic Architecutre: A Cartography of Genocide
- Forensic Architecture: Investigation into Aid in Gaza (The Architecture of Genocidal Starvation)
- Forensic Architecture in Artforum
- Investigative Aesthetics: Conflicts and Commons in the Politics of Truth by Matthew Fuller and Eyal Weizman
- Júlia's in Verso: The Target Factory
- Forensis: The Architecture of Public Truth
- SETA report on AI-assisted warfare in Gaza
- The Guardian and
The podcast and artwork embedded on this page are from Roberto Alonso Trillo, Marek Poliks, and Helena McFadzean, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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By The Syllabus / Listen NotesPodcast: Disintegrator (LS 31 · TOP 5% what is this?)
Episode: HOTHOUSE 2: Evidence (w/ Forensic Architecture's Júlia Nueno Guitart)
Pub date: 2026-01-21
Get Podcast Transcript →
powered by Listen411 - fast audio-to-text and summarization
This episode continues our collaboration with Hothouse: The Future of Demonstration, a renegade lab for democracy convened in Vienna, and extends our ongoing inquiry into artificial intelligence, power, and what it means to be human under algorithmic governance.
Recorded last autumn and released amid a so-called ceasefire in Gaza, this conversation confronts the accelerating use of AI in contemporary warfare and policing, where automation does not necessarily produce precision, but rather enables mass violence, deniability, and narrative control.
Our guest, Júlia Nueno Guitart, engineer, researcher, and core member of Forensic Architecture, discusses the organization’s investigations into Israel’s military campaign in Gaza, including projects such as Cartography of the Genocide, The Architecture of Genocidal Starvation, and analyses of AI-driven targeting systems like Lavender and “Where’s Daddy.”
Together, we unpack how these systems collapse civilian life into probabilistic models, violate the principles of distinction and proportionality under international law, and reframe killing as a statistical inevitability. The conversation also explores investigative aesthetics and counter-forensics: methods that assemble fragments (satellite imagery, testimonies, spatial models, sensor data) into material evidence when states and corporations control official archives. We discuss how Forensic Architecture navigates courts, museums, open platforms, and public discourse, and how truth today must be staged as a transparent, collective process rather than a claim of institutional objectivity.
Moving beyond warfare, the episode considers AI as both a tool of domination and a potential instrument for resistance, from documenting state violence to worker-led experiments in platform sabotage and collective agency. Across these terrains, we ask how evidence can still matter amid institutional failure, how violence becomes infrastructural, and how democracy might be rethought when power is increasingly automated.
Links:
Episode: HOTHOUSE 2: Evidence (w/ Forensic Architecture's Júlia Nueno Guitart)
Pub date: 2026-01-21
Get Podcast Transcript →
powered by Listen411 - fast audio-to-text and summarization
This episode continues our collaboration with Hothouse: The Future of Demonstration, a renegade lab for democracy convened in Vienna, and extends our ongoing inquiry into artificial intelligence, power, and what it means to be human under algorithmic governance.
Recorded last autumn and released amid a so-called ceasefire in Gaza, this conversation confronts the accelerating use of AI in contemporary warfare and policing, where automation does not necessarily produce precision, but rather enables mass violence, deniability, and narrative control.
Our guest, Júlia Nueno Guitart, engineer, researcher, and core member of Forensic Architecture, discusses the organization’s investigations into Israel’s military campaign in Gaza, including projects such as Cartography of the Genocide, The Architecture of Genocidal Starvation, and analyses of AI-driven targeting systems like Lavender and “Where’s Daddy.”
Together, we unpack how these systems collapse civilian life into probabilistic models, violate the principles of distinction and proportionality under international law, and reframe killing as a statistical inevitability. The conversation also explores investigative aesthetics and counter-forensics: methods that assemble fragments (satellite imagery, testimonies, spatial models, sensor data) into material evidence when states and corporations control official archives. We discuss how Forensic Architecture navigates courts, museums, open platforms, and public discourse, and how truth today must be staged as a transparent, collective process rather than a claim of institutional objectivity.
Moving beyond warfare, the episode considers AI as both a tool of domination and a potential instrument for resistance, from documenting state violence to worker-led experiments in platform sabotage and collective agency. Across these terrains, we ask how evidence can still matter amid institutional failure, how violence becomes infrastructural, and how democracy might be rethought when power is increasingly automated.
Links:
- Forensic Architecutre: A Cartography of Genocide
- Forensic Architecture: Investigation into Aid in Gaza (The Architecture of Genocidal Starvation)
- Forensic Architecture in Artforum
- Investigative Aesthetics: Conflicts and Commons in the Politics of Truth by Matthew Fuller and Eyal Weizman
- Júlia's in Verso: The Target Factory
- Forensis: The Architecture of Public Truth
- SETA report on AI-assisted warfare in Gaza
- The Guardian and
The podcast and artwork embedded on this page are from Roberto Alonso Trillo, Marek Poliks, and Helena McFadzean, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.