R.S. Benedict is a speculative fiction writer whose popular 2021 essay "Everyone Is Beautiful But Nobody is Horny," published in Blood Knife, argued that the disappearance of sex from movies is linked to wider cultural trends toward the celebration of militarism and violence, the shunning of hedonistic pleasure, a utilitarian disdain for frivolous things, and increasing social isolation. Today, Benedict joins to discuss this essay as well as her 2022 piece on "safe fiction." We also tie in the rise of McMansions and defend messiness over sterility. The overarching theme of the conversation is the need to resist the drift toward a Spartan culture in which our bodies are built for fighting rather than pleasure, we are each worker-units whose job is to maximize GDP, and everything unnecessary, gratuitous, or chaotic is to be purged. Benedict is a defender of humanity in all its diversity, sloppiness, and, yes, horniness, and presents a vision for a culture—in film, architecture, and everywhere else—that lets us be ourselves and celebrates desire and fun.

"A generation or two ago, it was normal for adults to engage in sports not purely as self-improvement but as an act of leisure. People danced for fun; couples socialized over tennis; kids played stickball for lack of anything else to do. Solitary exercise at the gym also had a social, rather than moral, purpose. People worked out to look hot so they could attract other hot people and fuck them. Whatever the ethos behind it, the ultimate goal was pleasure. Not so today. Now, we are perfect islands of emotional self-reliance, and it is seen as embarrassing and co-dependent to want to be touched. We are doing this for ourselves, because we, apropos of nothing, desperately want to achieve a physical standard set by some invisible Other in an insurance office somewhere." — R.S. Benedict