Chuck calls bad audio the "deadliest of all the deadly sins" of low-budget filmmaking for a reason. If your actors sound like they’re talking underwater, or if you're relying too heavily on AI noise reduction tools, this episode is going to save your movie.

In this episode (Part 5 of our 7 Deadly Sins of Indie Filmmaking series), we are diving into the gritty, zero-budget reality of mixing professional audio. Chuck breaks down his exact, start-to-finish 6-step workflow: from capturing clean location sound to the final score mix. We discuss how to fix tinny dialogue caused by microphone phasing, why hiding mics on set will save you hours of Foley work, and the golden EQ rule to ensure your dramatic film score never buries your dialogue.  

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Show Links: 

Featured Filmmaker of the Week, Tom Hughes: https://www.instagram.com/ritual_video 

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How to Talk to a Composer with Jesse Blake Rundle: https://open.spotify.com/episode/6l5IFPhumX4QmvsKDAdVci?si=8dJWpBy_SSqj2u5s-GFs7A 

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