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https://3speak.tv/watch?v=draysax/wjowpmkb
My life has always been a mush of different creative parts. From music to visual arts to photography and videography among others.
But recently, I have been more in the videography and cinematography space.
But much more recently I have explored doing product ads more than any other type of visual work. These product ads have ranged from products sold to services rendered by people.
In this video I show one of the ads I made for a perfume brand. It was a simple but yet engaging idea especially, when I came up with the final shot.
I had no initial idea for the shot. So I came up right on the spot with the idea on how the video could be constructed. I had an assistant with me, who was apparently the client. She helped with getting the shots right.
So how did we get the scintillating results you're watching?
First, you need to understand that there are 3 things to consider when shooting a product ad:
1. THE STORY: Every product conveys an idea of some value. With stories told through visuals, one should be able to tell it to the audience without losing them one bit. The story should portray the essence of the product as perfectly as possible.
With this perfume product, the scent carried this vibe of "the freshness of nature". And this was portrayed in the ad, especially where we show the product on a prop tree covered with mist
2. THE ENVIRONMENT: One can either create or modify the environment and visuals around what you want to shoot. What is visible however dictates to a large extent how the end result will look like.
This video was shot in a living room. A table was used for displaying the product and the products were underpaid with linoleum sheets.
The table was placed centrally in the room faraway from walls, so that the background can be blurred. We couldn't do anything magical to make a suitable background for the shoot that would beat blurring out the background by making the product standing out within a depth of field. That blurred out background was just very needed. It keeps attention on the product sustained.
Also, we made use of a prop tree as earlier said.
3. GEAR: Gear is obviously an important factor to consider, not necessarily because the best gear do the best jobs, but so that one can work within what one has.
The truth is that content is always king over gear. If you can capture people's attention with a smartphone-shot video, you might not need a cinema camera to sell out your idea.
However, the better the gear the more options you have.
I use a 2014 Panasonic Lumix GH4 for most professional work and that was what I used here. The camera in itself is very capable even in 2023, but it still has some shortcomings.
The biggest shortcoming for me in shooting videos generally are the lack of In Body Image Stabilization (IBIS), poor autoficus and a bad low-light performance. An averagely priced smartphone today has some form of stabilization. So to have a camera without one can really be a pain. However, I'd learned how to get stable shots with body movements and sometimes use the camera with a dolly tripod.
I pretty much shoot most of my product ads with manual focus, so that was not a problem here. Otherwise, the autofocus is very tricky with staying in focus consistently.
After all I was using a manual focus prime lens - a Meke 35mm f/1.7 lens. This cheap small lens is the sharpest lens I have in my camera set up and it always comes in handy for the crispy shots and beautiful blurry background it gives.
Once I had these factors in place, the shooting of the video was majorly just cinematic moves to depict the story.
Shot 1: The Intro
Shot 2: The Reveal
Shot 3: Show off
Shot 4: The Bridge
Shot 5: The Wrap Up
All through each of the shots, texts were also added with sound effects to carry the idea of each shot and make the ad more relatable for action.
EDITING:
Not everyone would have access to a pro-camera. In fact, many aspiring videographers only have their phone to start with.
Take home points:
Always have a storyline, no matter how cliché. It informs how you shoot your videos and makes the process easy.
Use your gear to it's advantages
Improvise, improvise, improvise if you'revery constrained. When you have the capacity to create expensive sets, you can then do "REAL stuff" from A-Z.
A good depth of field more often than not looks good for product ads.
BONUS POINT
It's a long read, but I hope you got some good stuff from it.
By draysaxhttps://3speak.tv/watch?v=draysax/wjowpmkb
My life has always been a mush of different creative parts. From music to visual arts to photography and videography among others.
But recently, I have been more in the videography and cinematography space.
But much more recently I have explored doing product ads more than any other type of visual work. These product ads have ranged from products sold to services rendered by people.
In this video I show one of the ads I made for a perfume brand. It was a simple but yet engaging idea especially, when I came up with the final shot.
I had no initial idea for the shot. So I came up right on the spot with the idea on how the video could be constructed. I had an assistant with me, who was apparently the client. She helped with getting the shots right.
So how did we get the scintillating results you're watching?
First, you need to understand that there are 3 things to consider when shooting a product ad:
1. THE STORY: Every product conveys an idea of some value. With stories told through visuals, one should be able to tell it to the audience without losing them one bit. The story should portray the essence of the product as perfectly as possible.
With this perfume product, the scent carried this vibe of "the freshness of nature". And this was portrayed in the ad, especially where we show the product on a prop tree covered with mist
2. THE ENVIRONMENT: One can either create or modify the environment and visuals around what you want to shoot. What is visible however dictates to a large extent how the end result will look like.
This video was shot in a living room. A table was used for displaying the product and the products were underpaid with linoleum sheets.
The table was placed centrally in the room faraway from walls, so that the background can be blurred. We couldn't do anything magical to make a suitable background for the shoot that would beat blurring out the background by making the product standing out within a depth of field. That blurred out background was just very needed. It keeps attention on the product sustained.
Also, we made use of a prop tree as earlier said.
3. GEAR: Gear is obviously an important factor to consider, not necessarily because the best gear do the best jobs, but so that one can work within what one has.
The truth is that content is always king over gear. If you can capture people's attention with a smartphone-shot video, you might not need a cinema camera to sell out your idea.
However, the better the gear the more options you have.
I use a 2014 Panasonic Lumix GH4 for most professional work and that was what I used here. The camera in itself is very capable even in 2023, but it still has some shortcomings.
The biggest shortcoming for me in shooting videos generally are the lack of In Body Image Stabilization (IBIS), poor autoficus and a bad low-light performance. An averagely priced smartphone today has some form of stabilization. So to have a camera without one can really be a pain. However, I'd learned how to get stable shots with body movements and sometimes use the camera with a dolly tripod.
I pretty much shoot most of my product ads with manual focus, so that was not a problem here. Otherwise, the autofocus is very tricky with staying in focus consistently.
After all I was using a manual focus prime lens - a Meke 35mm f/1.7 lens. This cheap small lens is the sharpest lens I have in my camera set up and it always comes in handy for the crispy shots and beautiful blurry background it gives.
Once I had these factors in place, the shooting of the video was majorly just cinematic moves to depict the story.
Shot 1: The Intro
Shot 2: The Reveal
Shot 3: Show off
Shot 4: The Bridge
Shot 5: The Wrap Up
All through each of the shots, texts were also added with sound effects to carry the idea of each shot and make the ad more relatable for action.
EDITING:
Not everyone would have access to a pro-camera. In fact, many aspiring videographers only have their phone to start with.
Take home points:
Always have a storyline, no matter how cliché. It informs how you shoot your videos and makes the process easy.
Use your gear to it's advantages
Improvise, improvise, improvise if you'revery constrained. When you have the capacity to create expensive sets, you can then do "REAL stuff" from A-Z.
A good depth of field more often than not looks good for product ads.
BONUS POINT
It's a long read, but I hope you got some good stuff from it.