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This week, Rob & Kay are talking about dat first page. How to keep em reading, how to knock 'em dead, and how to set expectations. They explore why the "Opening Image" (of all the beats in Save the Cat beats) is so important, what tropes/clichés must be avoided or subverted, how to prepare your audience for the script they're about to read, and, of course, what that page should LOOK like.
Our Weekly Resource:
Notes From the Episode:
Zack's Original Instagram video (for our Twitter Drama Bumper)
Maureen Ryan's book, "Burn It Down: Power, Complicity, and a Call for Change in Hollywood"
“Adventures in the Screen Trade” by William Goldman
Our Episode with the Producer/Co-Writer of "Searching"
Shaun of the Dead Script
Buy your own Vomit Draft Notebook
Buy your own Plot Fold Screenwriting Map
How to Make a Movie for $1000
The Giveaway over on Rob's Channel
Kay's Twitter
Rob's Twitter
Zack's Twitter
Email us(!)
By Rob Hagans & Kay Tuxford4.1
1212 ratings
This week, Rob & Kay are talking about dat first page. How to keep em reading, how to knock 'em dead, and how to set expectations. They explore why the "Opening Image" (of all the beats in Save the Cat beats) is so important, what tropes/clichés must be avoided or subverted, how to prepare your audience for the script they're about to read, and, of course, what that page should LOOK like.
Our Weekly Resource:
Notes From the Episode:
Zack's Original Instagram video (for our Twitter Drama Bumper)
Maureen Ryan's book, "Burn It Down: Power, Complicity, and a Call for Change in Hollywood"
“Adventures in the Screen Trade” by William Goldman
Our Episode with the Producer/Co-Writer of "Searching"
Shaun of the Dead Script
Buy your own Vomit Draft Notebook
Buy your own Plot Fold Screenwriting Map
How to Make a Movie for $1000
The Giveaway over on Rob's Channel
Kay's Twitter
Rob's Twitter
Zack's Twitter
Email us(!)