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There's a theory in fine art photography that every image needs to have key tones, some spot in the photograph that is absolute black and another that is absolute white. These tones supposedly calibrate our vision for everything else in the image. They become tonal reference points. Like all other rules in photography, I find this one contains a truth, but not a rigid one. Key tones are worth considering, but not with inflexible rigidity.
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By Brooks Jensen4.6
439439 ratings
There's a theory in fine art photography that every image needs to have key tones, some spot in the photograph that is absolute black and another that is absolute white. These tones supposedly calibrate our vision for everything else in the image. They become tonal reference points. Like all other rules in photography, I find this one contains a truth, but not a rigid one. Key tones are worth considering, but not with inflexible rigidity.
Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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