This week on Hate to Interrupt, we’re talking about two directors known for doing things their own way. Edgar Wright’s The Running Man reimagines the 80s sci-fi classic through his kinetic style and dark humor (or does he?), while Osgood Perkins’ Keeper continues his streak of eerie, unsettling horror that lingers long after it’s over.

We break down how both filmmakers twist familiar genres into something stranger, smarter, and more personal, and whether The Running Man proves Wright still has his edge.

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