What happens when a fourth-generation Syrian American decides to revive and reimagine classical Arabic music traditions from New York City? Faraj Abyad takes us on a mesmerizing journey through the microtonal landscapes of Tarab and Maqam theory while breaking industry norms with his original compositions.

Raised in a household where the legendary recordings of Sabah Fakhri played alongside his formal studies in jazz and Western music, Abyad developed a unique musical identity that bridges cultural worlds. As he explains, "I found that microtones in this music kind of took me to a state of Tarab or took me to a state of ecstasy that we can't find in Western music." This fascination with the emotional power of Arabic music theory became the foundation for his compositional approach.

Unlike many contemporary Arabic musicians who primarily cover the works of icons like Um Kulthum or Fayrouz, Abyad is dedicated to creating new classical Arabic compositions. We wpeak about him recording at New York's legendary Power Station Studios and working with The Originals and Oswalds Mills Audio.

The conversation reveals fascinating details about his album cover featuring Jawad Salim's rare painting "In the Presence of the Caliph" (unseen in color for 70 years) and his upcoming performance at The Metropolitan Museum of Art. 

Listen now to discover how Faraj Abyad is creating new pathways for classical Arabic music in the modern world—and why his work matters for the future of this rich tradition. 

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