31: I Nonlinear Vocalization. You Nonlinear Vocalization

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THIS WEEK IT’S ALL ABOUT SCREAMS (AAAAA!!!!) Horror and fear screams. It’s not just talking with some extra juice. There is much, much more at work. Physically and psychologically, a scream is a unique thing in human sound production.

Mike explores the what and how, and that they aren’t like shouts or yells. Plus a deep dive into what they mean. And how they function in film. Especially as delivered by women.

-- SOURCES --

The Hard Work of Screaming: Physical Exertion and Affective Labor Among Mexico City’s Punk Vocalists

Author(s): Kelley Tatro

Source: Ethnomusicology, Vol. 58, No. 3 (Fall 2014), pp. 431-453

‘The scream’: Meanings and excesses in early childhood settings

Rachel Rosen

Childhood 2015, Vol. 22(1) 39–52

Phenomenology of the Scream

Author(s): Peter Schwenger

Source: Critical Inquiry, Vol. 40, No. 2 (Winter 2014), pp. 382-395

Nonlinear analysis of irregular animal vocalizations

Isao Tokudaa, et al

J. Acoust. Soc. Am., Vol. 111, No. 6, June 2002

Human Screams Occupy a Privileged Niche in the Communication Soundscape

Luc H. Arnal, Adeen Flinker, Andreas Kleinschmidt, Anne-Lise Giraud, David Poeppel

Current Biology 25, 2051–2056

Do film soundtracks contain nonlinear analogues to influence emotion?

Daniel T. Blumstein1,*, Richard Davitian1 and Peter D. Kaye2

Biol. Lett. (2010) 6, 751–754

The Voice in Cinema by Michel Chion, 2009

-- THANKS --

And a special thanks to these Reasonably Sound Patrons: Brandon Bennes, Hans Buetow, Xander C, Talia F E, Camilla Greer, Parker Higgins, Anthony Kirkpatrick, Joe Krushinsky, Tod Kurt, Ethan Rose, and Susan Rugnetta.

-- a previous version of this episode contained the following MUSIC --

Scream by 2NE1 from Crush

Physical by Olivia Newton John, Covered by Ten Masked Men from ‘Revenge Of The -Ten Masked Men’

The Breaking of the Scream by Jose Halac from Sonic Circuits VII

Murderer by Low from Drums & Guns