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In Episode 4, Ethan breaks down Adidas Bound by Legacy — a film for the Sydney Roosters made in collaboration with Helium and Hype Republic, directed by Ethan and shot by Donny Buppapirak ACS.They get into why Ethan chose to light an entire pub from the street rather than inside, how First AD Murray Robertson’s “you get one light” call shaped the entire look of the film, working with rugby league legends who have a 10-minute window, and the Petzval lens choice that gave the film its nostalgic character.Then in Life of a Freelancer — Director’s Cuts. Why Edit 2 is the director’s version. Why Edit 3 onwards belongs to the village of clients. And why directors keep ringing their composer mates asking for free favours long after everyone else has been paid.Plus — Meta and Google both shut us down in the same week. We’re back.---0:00 Cold open — I shut down a pub0:28 Intro — new mics, wardrobe, and getting banned by Meta and Google04:15 The Breakdown — Adidas Bound by Legacy, Sydney Roosters07:14 How Ethan got the job without pitching08:34] Lighting the pub from the street — the one light decision09:55 Working with rugby league legends in tight windows18:21 Petzval lens choice and Peaky Blinders colour references22:56 Jesse Watt — the composer who made the difference24:50 Life of a Freelancer — Director’s Cuts25:10 Edit 2 is the director’s cut28:46 Who pays for the grade and sound mix after the fact32:24 Outro---The Director & The DOP is a video podcast for the commercial production and advertising industry. A director and a DOP break down real projects — no theory, just the work.New episodes weekly.🎙️ Hosted by Ethan McLean (Director) & Liam Brennan (DOP)#commercialfilmmaking #director #cinematography #advertising #filmmaking #australianfilm
By The Director & The D.O.PIn Episode 4, Ethan breaks down Adidas Bound by Legacy — a film for the Sydney Roosters made in collaboration with Helium and Hype Republic, directed by Ethan and shot by Donny Buppapirak ACS.They get into why Ethan chose to light an entire pub from the street rather than inside, how First AD Murray Robertson’s “you get one light” call shaped the entire look of the film, working with rugby league legends who have a 10-minute window, and the Petzval lens choice that gave the film its nostalgic character.Then in Life of a Freelancer — Director’s Cuts. Why Edit 2 is the director’s version. Why Edit 3 onwards belongs to the village of clients. And why directors keep ringing their composer mates asking for free favours long after everyone else has been paid.Plus — Meta and Google both shut us down in the same week. We’re back.---0:00 Cold open — I shut down a pub0:28 Intro — new mics, wardrobe, and getting banned by Meta and Google04:15 The Breakdown — Adidas Bound by Legacy, Sydney Roosters07:14 How Ethan got the job without pitching08:34] Lighting the pub from the street — the one light decision09:55 Working with rugby league legends in tight windows18:21 Petzval lens choice and Peaky Blinders colour references22:56 Jesse Watt — the composer who made the difference24:50 Life of a Freelancer — Director’s Cuts25:10 Edit 2 is the director’s cut28:46 Who pays for the grade and sound mix after the fact32:24 Outro---The Director & The DOP is a video podcast for the commercial production and advertising industry. A director and a DOP break down real projects — no theory, just the work.New episodes weekly.🎙️ Hosted by Ethan McLean (Director) & Liam Brennan (DOP)#commercialfilmmaking #director #cinematography #advertising #filmmaking #australianfilm