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New York Review of Books’ editor IAN BURUMA, knew almost nothing about Japan when he arrived in Tokyo in 1975. Trading his upper-middle class childhood of garden sprinklers, bridge parties, and tennis for adventures in a city of neon lights, Japanese pop and cabarets, exposed him to a different culture. Through his adventures of avant-garde theater, carnival acts and fashion shoots, and hanging out on sets with Japanese film director, Akira Kurosawa, Buruma made a radical transformation. In this hour, Marty talks to Buruma about his memoir, A Tokyo Romance, and how he reinvented himself in Japan.
By WHYY4.6
249249 ratings
New York Review of Books’ editor IAN BURUMA, knew almost nothing about Japan when he arrived in Tokyo in 1975. Trading his upper-middle class childhood of garden sprinklers, bridge parties, and tennis for adventures in a city of neon lights, Japanese pop and cabarets, exposed him to a different culture. Through his adventures of avant-garde theater, carnival acts and fashion shoots, and hanging out on sets with Japanese film director, Akira Kurosawa, Buruma made a radical transformation. In this hour, Marty talks to Buruma about his memoir, A Tokyo Romance, and how he reinvented himself in Japan.

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