This week we wrap up Season 6 of the podcast with Guillermo del Toro's twelfth feature film, Guillermo del Toro's Pinocchio (2022), and discuss deliberate decisions, ranking his filmography, and what we will watch for Season 7.

This week, we watch Guillermo del Toro's eleventh feature film, Nightmare Alley (2021), and discuss the Super Bowl Halftime Show, losing character motivations, and William's struggle with Barbie, again.

This week, we watch Guillermo del Toro's tenth feature film, The Shape Of Water (2017), and discuss winning Oscars with a fish-man romance, our favorite intimate moment, and whether or not it is a "message" movie.

This week, we watch Guillermo del Toro's ninth feature film, Crimson Peak (2015), and discuss our music homework, a favorite character design, and realizing Guillermo is more interested in ideas than people.

This week, we watch Guillermo del Toro's eighth feature film, Pacific Rim (2013), and discuss our shared hatred for naming characters in our writing, underwater nukes, and what makes this simultaneously one of Guillermo's best and worst films.

This week, we watch Guillermo del Toro's seventh feature film, Hellboy II: The Golden Army (2008), and discuss our picky music tastes, Guillermo's trouble with themes and metaphors, and wanting a Hellboy III.

This week, we watch Guillermo del Toro's sixth feature film, Pan's Labyrinth (2006), and discuss our goals for 2025, appreciating Guillermo's belief in magic, and loving the brutal violence.

This week, we watch Guillermo del Toro's fifth feature film, Hellboy (2004), and list our favorite things of 2024, hating the character Myers, and del Toro finding the right gear.

This week, we watch Guillermo del Toro's fourth feature film, Bade 2 (2002), and discuss Interstellar in IMAX, shitty shiny leather costumes, and getting worried about the rest of his filmography.

This week, we are joined by our friend, Joshua Jenkins, and watch Guillermo del Toro's third feature film, The Devil's Backbone (2001). We discuss third person drama, portraying kids during wartime, and all the metaphors.