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The tormented artist. You’ve heard the term — hell you may even be one yourself. I know I was. For years, I was absolutely convinced that if my art wasn’t the albatross around my neck, that I was somehow unworthy of the title. Why is that? Why do so many of us feel at one point or another that the suffering is necessary — that it’s somehow inexorably linked to the intrinsic value of what we make? That’s exactly what we’re talking about in this episode and it all begins with a Nine Inch Nails concert in 1990.
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If you enjoy listening to In Between, please consider leaving a review or a rating on iTunes to help others discover the show.
CONNECT
I’d love to hear from you. Email me at [email protected] or connect with me on Instagram or Twitter @jefferysaddoris.
You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com.
Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0
The tormented artist. You’ve heard the term — hell you may even be one yourself. I know I was. For years, I was absolutely convinced that if my art wasn’t the albatross around my neck, that I was somehow unworthy of the title. Why is that? Why do so many of us feel at one point or another that the suffering is necessary — that it’s somehow inexorably linked to the intrinsic value of what we make? That’s exactly what we’re talking about in this episode and it all begins with a Nine Inch Nails concert in 1990.
Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS
If you enjoy listening to In Between, please consider leaving a review or a rating on iTunes to help others discover the show.
CONNECT
I’d love to hear from you. Email me at [email protected] or connect with me on Instagram or Twitter @jefferysaddoris.
You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com.
Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0