ineluctable modality of the visible ...

NOTE: Because of the nature of this project, there was a bending of usual LibriVox procedures: pub-like background noise was encouraged, as well as group readings; and no editing was required, so in places there may be some accidental variation from the original text ... Listener be warned! Here is some more information about the <a href="http://librivox.org/2009/11/22/about-that-ulysses-recording/" target="_blank" rel="noreferrer noopener">genesis of the LibriVox Ulysses project</a>. (Summary by Hugh McGuire) Still one of the most radical novels of the 20th Century, James Joyce's Ulysses is considered to have ushered in the era of the modern novel. Loosely based on Homer's Odyssey, the book follows Leopold Bloom and a number of other characters through an ordinary day, twenty four hours, in Dublin, on June 16, 1904. The text is dense and difficult, but perfectly suited to an oral reading, filled with language tricks, puns and jokes, stream of consciousness, and bawdiness. Full cast list for sections 15f and 15g: Character identifications read by <a href="http://librivox.org/reader/36" target="_blank" rel="noreferrer noopener">Chip</a> Read by: <a href="http://librivox.org/reader/56" target="_blank" rel="noreferrer noopener">Kirsten Ferreri</a> and <a href="http://librivox.org/reader/895" target="_blank" rel="noreferrer noopener">Max Porter Zasada</a> Bloom read by <a href="http://librivox.org/reader/94" target="_blank" rel="noreferrer noopener">David Barnes</a> Stephen read by <a href="http://librivox.org/reader/66" target="_blank" rel="noreferrer noopener">Alex Foster</a> Kitty read by <a href="http://librivox.org/reader/14" target="_blank" rel="noreferrer noopener">Kristin LeMoine</a> Florry read by <a href="http://librivox.org/reader/277" target="_blank" rel="noreferrer noopener">Alessia</a> Zoe read by <a href="http://librivox.org/reader/83" target="_blank" rel="noreferrer noopener">Catharine Eastman</a> Lynch read by <a href="http://librivox.org/reader/91" target="_blank" rel="noreferrer noopener">Stephan Möbius</a> Bella, list of names, and sundry characters read by <a href="http://librivox.org/reader/177" target="_blank" rel="noreferrer noopener">Kymm Zuckert</a> Marion read by <a href="http://librivox.org/reader/121" target="_blank" rel="noreferrer noopener">Nikolle Doolin</a> Boylan read by <a href="http://librivox.org/reader/252" target="_blank" rel="noreferrer noopener">Rainer</a> Private Carr read by <a href="http://librivox.org/reader/511" target="_blank" rel="noreferrer noopener">Matthew Shepherd</a> Private Compton read by <a href="http://librivox.org/reader/447" target="_blank" rel="noreferrer noopener">Seth Woodworth</a> Cissy Caffrey read by <a href="http://librivox.org/reader/19" target="_blank" rel="noreferrer noopener">Kara Shallenberg</a> Maginni read by <a href="http://librivox.org/reader/78" target="_blank" rel="noreferrer noopener">Hugh Mcguire</a> The Mother read by <a href="http://librivox.org/reader/110" target="_blank" rel="noreferrer noopener">Cynthia Lyons</a> Additional sundry characters and background voices: <a href="http://librivox.org/reader/167" target="_blank" rel="noreferrer noopener">Peter Yearsley</a>, <a href="http://librivox.org/reader/31" target="_blank" rel="noreferrer noopener">Martin Clifton</a>, <a href="http://librivox.org/reader/91" target="_blank" rel="noreferrer noopener">Stephan Möbius</a>, <a href="http://librivox.org/reader/177" target="_blank" rel="noreferrer noopener">Kymm Zuckert, </a><a href="http://librivox.org/reader/543" target="_blank" rel="noreferrer noopener">Ted Delorme</a>, Hajduk, <a href="http://librivox.org/reader/107" target="_blank" rel="noreferrer noopener">John Greenman</a>, <a href="http://librivox.org/reader/472" target="_blank" rel="noreferrer noopener">Tina Tilney</a>, <a href="http://librivox.org/reader/30" target="_blank" rel="noreferrer noopener">Annie Coleman</a>, <a href="http://librivox.org/reader/554" target="_blank" rel="noreferrer noopener">The Good Reverend Doctor</a>, <a href="http://librivox.org/reader/204" target="_blank" rel="noreferrer noopener">Mark F. Smith</a>, <a href="http://librivox.org/reader/205" target="_blank" rel="noreferrer noopener">Esther</a>, <a href="http://librivox.org/reader/919" target="_blank" rel="noreferrer noopener">Cecilia</a>, <a href="http://librivox.org/reader/20" target="_blank" rel="noreferrer noopener">Gesine</a>, <a href="http://librivox.org/reader/23" target="_blank" rel="noreferrer noopener">Anita Roy Dobbs</a>, <a href="http://librivox.org/reader/14" target="_blank" rel="noreferrer noopener">Kristin LeMoine</a>, <a href="http://librivox.org/reader/83" target="_blank" rel="noreferrer noopener">Catharine Eastman</a>, <a href="http://librivox.org/reader/174" target="_blank" rel="noreferrer noopener">Peter Eastman</a> The ten segments were edited as follows: 1st, 5th, and 6th segments with The Woods, The Dance, and The Ghost, were edited by <a href="http://librivox.org/reader/23" target="_blank" rel="noreferrer noopener">Anita Roy Dobbs</a>; 2nd and 4th segments with The Brothel and The Race were edited and sound designed by <a href="http://librivox.org/reader/91" target="_blank" rel="noreferrer noopener">Stephan Möbius</a>; 3rd and 10th segments with The Affair and The End were edited by <a href="http://librivox.org/reader/20" target="_blank" rel="noreferrer noopener">Gesine</a>; 7th segment, with The Chase, was edited by <a href="http://librivox.org/reader/554" target="_blank" rel="noreferrer noopener">The Good Reverend Doctor</a>; 8th and 9th segments, with The Kings and The Fight, were edited and sound designed by <a href="http://librivox.org/reader/2142" target="_blank" rel="noreferrer noopener">annelika</a>.

Arts

NOTE: Because of the nature of this project, there was a bending of usual LibriVox procedures: pub-like background noise was encouraged, as well as group readings; and no editing was required, so in places there may be some accidental variation from the original text ... Listener be warned! Here is some more information about the genesis of the LibriVox Ulysses project. (Summary by Hugh McGuire)Still one of the most radical novels of the 20th Century, James Joyce's Ulysses is considered to have ushered in the era of the modern novel. Loosely based on Homer's Odyssey, the book follows Leopold Bloom and a number of other characters through an ordinary day, twenty four hours, in Dublin, on June 16, 1904. The text is dense and difficult, but perfectly suited to an oral reading, filled with language tricks, puns and jokes, stream of consciousness, and bawdiness.Full cast list for sections 15f and 15g:Character identifications read by ChipRead by: Kirsten Ferreri and Max Porter ZasadaBloom read by David BarnesStephen read by Alex FosterKitty read by Kristin LeMoineFlorry read by AlessiaZoe read by Catharine EastmanLynch read by Stephan MöbiusBella, list of names, and sundry characters read by Kymm ZuckertMarion read by Nikolle DoolinBoylan read by RainerPrivate Carr read by Matthew ShepherdPrivate Compton read by Seth WoodworthCissy Caffrey read by Kara ShallenbergMaginni read by Hugh McguireThe Mother read by Cynthia LyonsAdditional sundry characters and background voices:Peter Yearsley, Martin Clifton, Stephan Möbius, Kymm Zuckert, Ted Delorme, Hajduk, John Greenman, Tina Tilney, Annie Coleman, The Good Reverend Doctor, Mark F. Smith, Esther, Cecilia, Gesine, Anita Roy Dobbs, Kristin LeMoine, Catharine Eastman, Peter EastmanThe ten segments were edited as follows:1st, 5th, and 6th segments with The Woods, The Dance, and The Ghost, were edited by Anita Roy Dobbs;2nd and 4th segments with The Brothel and The Race were edited and sound designed by Stephan Möbius;3rd and 10th segments with The Affair and The End were edited by Gesine;7th segment, with The Chase, was edited by The Good Reverend Doctor;8th and 9th segments, with The Kings and The Fight, were edited and sound designed by annelika.

NOTE: Because of the nature of this project, there was a bending of usual LibriVox procedures: pub-like background noise was encouraged, as well as group readings; and no editing was required, so in places there may be some accidental variation from the original text ... Listener be warned! Here is some more information about the <a href="http://librivox.org/2009/11/22/about-that-ulysses-recording/" rel="noopener noreferrer">genesis of the LibriVox Ulysses project</a>. (Summary by Hugh McGuire) Still one of the most radical novels of the 20th Century, James Joyce's Ulysses is considered to have ushered in the era of the modern novel. Loosely based on Homer's Odyssey, the book follows Leopold Bloom and a number of other characters through an ordinary day, twenty four hours, in Dublin, on June 16, 1904. The text is dense and difficult, but perfectly suited to an oral reading, filled with language tricks, puns and jokes, stream of consciousness, and bawdiness. Full cast list for sections 15f and 15g: Character identifications read by <a href="http://librivox.org/reader/36" rel="noopener noreferrer">Chip</a> Read by: <a href="http://librivox.org/reader/56" rel="noopener noreferrer">Kirsten Ferreri</a> and <a href="http://librivox.org/reader/895" rel="noopener noreferrer">Max Porter Zasada</a> Bloom read by <a href="http://librivox.org/reader/94" rel="noopener noreferrer">David Barnes</a> Stephen read by <a href="http://librivox.org/reader/66" rel="noopener noreferrer">Alex Foster</a> Kitty read by <a href="http://librivox.org/reader/14" rel="noopener noreferrer">Kristin LeMoine</a> Florry read by <a href="http://librivox.org/reader/277" rel="noopener noreferrer">Alessia</a> Zoe read by <a href="http://librivox.org/reader/83" rel="noopener noreferrer">Catharine Eastman</a> Lynch read by <a href="http://librivox.org/reader/91" rel="noopener noreferrer">Stephan Möbius</a> Bella, list of names, and sundry characters read by <a href="http://librivox.org/reader/177" rel="noopener noreferrer">Kymm Zuckert</a> Marion read by <a href="http://librivox.org/reader/121" rel="noopener noreferrer">Nikolle Doolin</a> Boylan read by <a href="http://librivox.org/reader/252" rel="noopener noreferrer">Rainer</a> Private Carr read by <a href="http://librivox.org/reader/511" rel="noopener noreferrer">Matthew Shepherd</a> Private Compton read by <a href="http://librivox.org/reader/447" rel="noopener noreferrer">Seth Woodworth</a> Cissy Caffrey read by <a href="http://librivox.org/reader/19" rel="noopener noreferrer">Kara Shallenberg</a> Maginni read by <a href="http://librivox.org/reader/78" rel="noopener noreferrer">Hugh Mcguire</a> The Mother read by <a href="http://librivox.org/reader/110" rel="noopener noreferrer">Cynthia Lyons</a> Additional sundry characters and background voices: <a href="http://librivox.org/reader/167" rel="noopener noreferrer">Peter Yearsley</a>, <a href="http://librivox.org/reader/31" rel="noopener noreferrer">Martin Clifton</a>, <a href="http://librivox.org/reader/91" rel="noopener noreferrer">Stephan Möbius</a>, <a href="http://librivox.org/reader/177" rel="noopener noreferrer">Kymm Zuckert, </a><a href="http://librivox.org/reader/543" rel="noopener noreferrer">Ted Delorme</a>, Hajduk, <a href="http://librivox.org/reader/107" rel="noopener noreferrer">John Greenman</a>, <a href="http://librivox.org/reader/472" rel="noopener noreferrer">Tina Tilney</a>, <a href="http://librivox.org/reader/30" rel="noopener noreferrer">Annie Coleman</a>, <a href="http://librivox.org/reader/554" rel="noopener noreferrer">The Good Reverend Doctor</a>, <a href="http://librivox.org/reader/204" rel="noopener noreferrer">Mark F. Smith</a>, <a href="http://librivox.org/reader/205" rel="noopener noreferrer">Esther</a>, <a href="http://librivox.org/reader/919" rel="noopener noreferrer">Cecilia</a>, <a href="http://librivox.org/reader/20" rel="noopener noreferrer">Gesine</a>, <a href="http://librivox.org/reader/23" rel="noopener noreferrer">Anita Roy Dobbs</a>, <a href="http://librivox.org/reader/14" rel="noopener noreferrer">Kristin LeMoine</a>, <a href="http://librivox.org/reader/83" rel="noopener noreferrer">Catharine Eastman</a>, <a href="http://librivox.org/reader/174" rel="noopener noreferrer">Peter Eastman</a> The ten segments were edited as follows: 1st, 5th, and 6th segments with The Woods, The Dance, and The Ghost, were edited by <a href="http://librivox.org/reader/23" rel="noopener noreferrer">Anita Roy Dobbs</a>; 2nd and 4th segments with The Brothel and The Race were edited and sound designed by <a href="http://librivox.org/reader/91" rel="noopener noreferrer">Stephan Möbius</a>; 3rd and 10th segments with The Affair and The End were edited by <a href="http://librivox.org/reader/20" rel="noopener noreferrer">Gesine</a>; 7th segment, with The Chase, was edited by <a href="http://librivox.org/reader/554" rel="noopener noreferrer">The Good Reverend Doctor</a>; 8th and 9th segments, with The Kings and The Fight, were edited and sound designed by <a href="http://librivox.org/reader/2142" rel="noopener noreferrer">annelika</a>.

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ineluctable modality of the visible ...

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