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In this week’s episode of The Imposter Syndrome Club, we talk to the incredibly articulate and generous artist Natalie Mather about the difference between an artist statement and a bio, balancing competing interests, being a 9-5 (or 12-4) painter, the importance of having a daily practice, consistent playing = consistent work, how having a day job does not equal failing, defining success, that you need input to make output, the awkward second album, being a detective of your own brain, realising you’re not as complicated as you thought, stage fright, naivety or bravery, the benefits of external constraints and even greater benefits of self-imposed ones, step parenting, adjusting & compromising while still guarding your time, divorce, friendship and community, self-sabotage, fear of failure and of success, and being comfortable with being seen.
Natalie's website: http://nataliemather.com
By Jessamy GeeIn this week’s episode of The Imposter Syndrome Club, we talk to the incredibly articulate and generous artist Natalie Mather about the difference between an artist statement and a bio, balancing competing interests, being a 9-5 (or 12-4) painter, the importance of having a daily practice, consistent playing = consistent work, how having a day job does not equal failing, defining success, that you need input to make output, the awkward second album, being a detective of your own brain, realising you’re not as complicated as you thought, stage fright, naivety or bravery, the benefits of external constraints and even greater benefits of self-imposed ones, step parenting, adjusting & compromising while still guarding your time, divorce, friendship and community, self-sabotage, fear of failure and of success, and being comfortable with being seen.
Natalie's website: http://nataliemather.com