"The base recording was thick with sounds, but light on texture. In order to create some space to let that texture through, I took a sample of the whole piece, slowed and tuned it down a bit, and ran it through multiple granular synthesizers. This created a pulsing, almost breathing sound, around which I added some aleatorically generated rhythmic lines as a kind of frame or dramatic container."

Bremerhaven Klimahaus installation reimagined by Jerome Veith.