In this episode of the podcast, BK and JT discuss Canadian music producer Murda Beatz. We analyze his rise to fame, his approach to getting beats together through sampling other people's loops, the importance of branding in this equation, and ultimately, what it means in terms of publishing and copyrights management.

We use Murda Beatz's approach to parallel our music industry experiences in terms of musician roles, and especially how it impacts your revenue, your publishing points, and your copyrights.

We also take a look at the new wave of producers who use other producers' loops in their composition, and put out records by adding drums and 808s to the mix. We use references such as Cubeatz to illustrate the difference between a session musician, a beat maker, a composer, an arranger, and a producer.

Ultimately, we get to the bottom of this old system that is used to manage our creative rights as artists!

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