Everyone wants their paintings to look light and bright, but often times overuse or improper use of the color white can lead to everything looking chalky. In this more technical episode, Gabor and Bill Anton dive into the best practices for painting with white.

About the Artist: When Bill committed to painting full-time, he studied under Michael Lynch and Ned Jacob, who encouraged him to paint from life. Anton's work has been published in Southwest Art, Architectural Digest, Art of the West, Equine Images, Western Horseman and Art-Talk. He was featured on the cover of the April 2006 American Artist magazine. Corporate collections that include his work are Sears, Dupont, State Farm Insurance, Bank of America, Hewlett Packard, and Trust Company of the West. His award winning work has been displayed at the Prix de West at the National Cowboy and Western Heritage Museum, Master of the American West at The Autry Museum, The National Center for American Western Art, The Old West Museum and The National Museum of Wildlife Art. In addition, his work is in the permanent collection of the prestigious Gilcrease Museum.

You learn more about Bill Anton here on his website: https://www.billantonstudio.com/

To learn more about his Retrospective on view at the Desert Caballeros Museum: https://westernmuseum.org/exhibition/bill-anton-paints-the-west/

If you are interested in more free content from TAAO make sure to visit our blog at: https://tucsonartacademyonline.com/blog

https://www.instagram.com/taaonline/

https://business.facebook.com/TucsonArtAcademyOnline