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There has been a recent emphasis on temporality in art exhibitions. This panel considers from a range of perspectives the historical and philosophical precedents for this, asking how and why time has become a tool for curators, and what political implications such an approach might bear.
By FriezeThere has been a recent emphasis on temporality in art exhibitions. This panel considers from a range of perspectives the historical and philosophical precedents for this, asking how and why time has become a tool for curators, and what political implications such an approach might bear.