Redwood City cartographer and artist Jake Coolidge on making maps the hard way with ink, graphite, a metal scribe, copper, wax and ferric chloride, the difference between in silico and in vivo cartographic generalization, creating novel projections with two-point perspective, learning to letter backwards, training the eye before you train your mouse hand, how a mapmaking process will teach you something about the landscape, and his efforts to combine the handmade with the digital. See his work at jakecoolidgecartography.com

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