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When Stephanie Plum turns up for work at Vinnie's Bail Bonds she finds office manager Connie hasn't shown up for work. Stephanie's worst fears are confirmed when she gets a call from Connie's abductor. He says he will only release Connie in exchange for a mysterious coin that was left as collateral at the Bail Bonds Office. The problem is the coin is nowhere to be found. Stephanie must enlist the help of Grandma Mazur, her best friend Lula, good cop Joe Morelli and hunky security expert Ranger to rescue Connie and find the coin. As the kidnapper grows more threatening Stephanie has no choice but to step outside her comfort zone and the law - and go rogue.
In this episode Gregory Dobbs chats with Janet Evanovich about how the shaping of the Stephanie Plum character became a long-term project, why Stephanie doesn't really need to choose between her love interests Joe Morelli and Ranger, and what food tells us about 'The Burg' and the cast of colourful characters that drive the story in 'Going Rogue'.
By Good Reading MagazineWhen Stephanie Plum turns up for work at Vinnie's Bail Bonds she finds office manager Connie hasn't shown up for work. Stephanie's worst fears are confirmed when she gets a call from Connie's abductor. He says he will only release Connie in exchange for a mysterious coin that was left as collateral at the Bail Bonds Office. The problem is the coin is nowhere to be found. Stephanie must enlist the help of Grandma Mazur, her best friend Lula, good cop Joe Morelli and hunky security expert Ranger to rescue Connie and find the coin. As the kidnapper grows more threatening Stephanie has no choice but to step outside her comfort zone and the law - and go rogue.
In this episode Gregory Dobbs chats with Janet Evanovich about how the shaping of the Stephanie Plum character became a long-term project, why Stephanie doesn't really need to choose between her love interests Joe Morelli and Ranger, and what food tells us about 'The Burg' and the cast of colourful characters that drive the story in 'Going Rogue'.

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