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Amplified is an audio blog series about the sounds of scholarship from our team here at the Amplify podcast network. This month we sit down with Amplify collaborator and director of SpokenWeb Jason Camlot to talk about their collaborative work on the SpokenWeb Podcast. Jason takes us behind the scenes at SpokenWeb to discuss the ways in which engaging in sonic scholarship has transformed his relationship to research and the academic world.
Guest Bios:
Jason Camlot’s critical works include Phonopoetics: The Making of Early Literary Recordings (Stanford 2019), Style and the Nineteenth-Century British Critic (Routledge 2008), and the co-edited collections, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill Queen’s UP, 2019) and Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century (Véhicule 2007). He is also the author of four collections of poetry, Attention All Typewriters, The Animal Library, The Debaucher, and What the World Said. He is the principal investigator and director of The SpokenWeb <www.spokenweb.ca>, a SSHRC-funded partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio. Jason is Professor of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal.
Additional Links:
SpokenWeb Podcast - https://spokenweb.ca/podcast/spokenweb-podcast/
Episode with Brenna Clarke Gray re: vulnerability - https://amplifypodcastnetwork.ca/News/2022/Amplified-Brenna-Clarke-Gray-says-You-Got-This
Intro + Outro Music: Pxl Cray – Blue Dot Studios (2016)
Written and produced by: Stacey Copeland
Hosted on Acast. See acast.com/privacy for more information.
Amplified is an audio blog series about the sounds of scholarship from our team here at the Amplify podcast network. This month we sit down with Amplify collaborator and director of SpokenWeb Jason Camlot to talk about their collaborative work on the SpokenWeb Podcast. Jason takes us behind the scenes at SpokenWeb to discuss the ways in which engaging in sonic scholarship has transformed his relationship to research and the academic world.
Guest Bios:
Jason Camlot’s critical works include Phonopoetics: The Making of Early Literary Recordings (Stanford 2019), Style and the Nineteenth-Century British Critic (Routledge 2008), and the co-edited collections, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill Queen’s UP, 2019) and Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century (Véhicule 2007). He is also the author of four collections of poetry, Attention All Typewriters, The Animal Library, The Debaucher, and What the World Said. He is the principal investigator and director of The SpokenWeb <www.spokenweb.ca>, a SSHRC-funded partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio. Jason is Professor of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal.
Additional Links:
SpokenWeb Podcast - https://spokenweb.ca/podcast/spokenweb-podcast/
Episode with Brenna Clarke Gray re: vulnerability - https://amplifypodcastnetwork.ca/News/2022/Amplified-Brenna-Clarke-Gray-says-You-Got-This
Intro + Outro Music: Pxl Cray – Blue Dot Studios (2016)
Written and produced by: Stacey Copeland
Hosted on Acast. See acast.com/privacy for more information.