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The confluence of cultures in Oklahoma, from Blacks who arrived as enslaved persons from the southeastern United States to European immigrants, created the ideal environment for the musical form known as jazz to take root. Jazz performers such as Charlie Christian, the Oklahoma City Blue Devils, and the Ernie Fields Orchestra made their mark on the genre starting out in small clubs located in Tulsa’s Greenwood and Oklahoma City’s Deep Deuce districts and later traveling to New York, Chicago, St. Louis, and Los Angeles. In this episode, Trait Thompson and Dr. Bob Blackburn discuss Oklahoma’s early jazz scene and interview Carmen Fields, author of Going Back to T-Town: The Ernie Fields Territory Big Band. Ms. Fields discusses her father’s legacy, the musicians in the orchestra, his hits, and her brother, Ernie Fields Jr.
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The confluence of cultures in Oklahoma, from Blacks who arrived as enslaved persons from the southeastern United States to European immigrants, created the ideal environment for the musical form known as jazz to take root. Jazz performers such as Charlie Christian, the Oklahoma City Blue Devils, and the Ernie Fields Orchestra made their mark on the genre starting out in small clubs located in Tulsa’s Greenwood and Oklahoma City’s Deep Deuce districts and later traveling to New York, Chicago, St. Louis, and Los Angeles. In this episode, Trait Thompson and Dr. Bob Blackburn discuss Oklahoma’s early jazz scene and interview Carmen Fields, author of Going Back to T-Town: The Ernie Fields Territory Big Band. Ms. Fields discusses her father’s legacy, the musicians in the orchestra, his hits, and her brother, Ernie Fields Jr.
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