Jazz Lambaux - Music for Fools (GRVTS024) / LP - DIGITAL

A1 - Trend

A2 - Sexy City in E-Flat Major Feat John Grilp

A3 - America

A4 - Broken Jukebox in B-Flat Major feat Rachel Coster

A5 - Yesterday

A6 - Lexus Waltz In B-Flat Major

A7 - Twilight

A8 - Vox Lesson in F Major

B1 - Paranoid

B2 - Resurrexion in B-Flat Major

B3 - Rockstar feat zannie

B4 - Ex-Rockstar in C Minor

B5 - Alien

B6 - Xorcism in B-Flat Minor

B7 - Music For Fools

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After several extensive DIY world tours with his partner in pipes Enora Morice (from Wuhan to Baltimore via Ullapool ?!!), jester in chief Jazz Lambaux recently settled and channeled the material he recorded over the past few years into a manifest album for Éditions Gravats (some of which got released as singles via excellent Brussels-based label City Links and video clips directed by Jazz himself).

Almost 40 years after Baudrillard’s America, Jazz Lambaux offers his own fantasy of TV-fed - mostly white - third millennial suburban America. Music for Fools (2022-2024) is an elegy for a demographic with little-to-no property ownership prospects, entangled in a never ending culture war and a meaningless consumption race - a meager solace for a generation raised on Green Day’s American Idiot and Marilyn Manson’s Portrait Of An American Family.

Contrary to what its title suggests, Music For Fools (2022-2024) is not a mere compilation of tracks and skits lazily extracted from Jazz Lambaux’s hard drive to justify a touring habit. Like most of his fellow buffoons, the Mountain Dew-fueled Punchinello is smarter than he’s willing to pretend, and the narration his debut album offered is among the most uncompromising and cinematographic ones we’ve heard in the early 2020’s.

Punctuated by post-modern vignettes echoing Ol’ Dirty Bastard and Eminem’s own deranged comedy skits (special mention to the goofily Kafkaian “Broken Jukebox in B-Flat Major”), the album progresses towards a relatively radiant conclusion, conjuring the dizzying junk of US teenagealia it emerged from, touched by the grace of MTV-friendly gods. Ecstatic pop songs on steroids (“America”, “Yesterday”, “Paranoid”) - summoning the aforementioned acts - alternate with bittersweet ballads (“Twilight”, “Rockstar”), recalling the heydays of campus radios and Tori Amos’s mainstream avant-garde Boys For Pele. But all songs and instrumentals bath in that same hyperreal uncanniness, a grinning paranoid glow that blossomed in the mid-00’s through works like Gregg Araki’s Kaboom, Richard Linklater’s A Scanner Darkly or Korn’s Twisted Transistor video clip… A trip through America’s guilt, led by a French cousin of the Pied Piper of Hamelin.