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Whenever possible Jennifer Caroline Campbell obsessively cultivates a shifting bag of mixed fragments, recombining, contaminating and navigating without a map. Textures and stories build up like minerals. The crystal bundles snowball and scatter into multicoloured slices, oscillating shiftily between slathered picture and lumpy thing.
Through reckless and rhythmic process new thoughts are shaped and multiple characters are inhabited. They exchange gossip stumblingly while glancing and clutching at the surrounding terrain. This process is both childish play and serious questioning. It is honed in order to expose unseen power cloggings, weave silken nets, nourish unsolved shadows and side-step claustrophobic categorisations.
By David Auborn5
11 ratings
Whenever possible Jennifer Caroline Campbell obsessively cultivates a shifting bag of mixed fragments, recombining, contaminating and navigating without a map. Textures and stories build up like minerals. The crystal bundles snowball and scatter into multicoloured slices, oscillating shiftily between slathered picture and lumpy thing.
Through reckless and rhythmic process new thoughts are shaped and multiple characters are inhabited. They exchange gossip stumblingly while glancing and clutching at the surrounding terrain. This process is both childish play and serious questioning. It is honed in order to expose unseen power cloggings, weave silken nets, nourish unsolved shadows and side-step claustrophobic categorisations.

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