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Jeremiah Lloyd Harmon on the euphoria and ambition of recording his debut album Namesake, how "Almost Heaven" died and came back to life, why an artist sings a song, and escaping the star-maker machinery of American Idol.
By Chris Schlarb5
1313 ratings
Jeremiah Lloyd Harmon on the euphoria and ambition of recording his debut album Namesake, how "Almost Heaven" died and came back to life, why an artist sings a song, and escaping the star-maker machinery of American Idol.