Before his name became synonymous with nightmares and jumpscares, John Carpenter was a humble film student with an extremely limited budget.

So, what did this industrious director do when he couldn't afford to hire a composer? He became one.

This week on Tape Spaghetti, Scott & Blake look at Carpenter's lesser-known brilliance as a music-maker and how what started as a workaround became a legacy of minimalist tension and, without hyperbole, the sound of fear itself.

With a lofty imagination but no money for an orchestra, Carpenter discovered he could create massive, atmospheric synth soundscapes entirely on his own.

That approach exploded with Halloween, where a simple, relentless theme became instantly recognizable.

But the story doesn’t end there. From Escape from New York to The Thing (with a little help from Ennio Morricone), Carpenter kept evolving his sound while building a catalog of cult classics. Eventually, he stepped away from directing and leaned fully into music, even touring and releasing albums of “soundtracks for movies that don’t exist.”

Here's how a kid who grew up resisting formal music training became the architect of some of the most pervasive film music of all time – scary movie or otherwise.