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King Missile emerged from the art-punk underground with a sound that defies easy categorization. Blending elements of spoken word, surrealist humor, alternative rock, and performance art, the band is best known for its 1992 hit “Detachable Penis,” a deadpan monologue over a hypnotic groove that unexpectedly broke into mainstream consciousness.
But King Missile is far more than a novelty act—it's the long-running vehicle for the singular voice of John S. Hall, a poet, satirist, and cultural observer with a sharp wit and even a sharper tongue.
John S. Hall recently stopped by Thunderlove Studio, and we spoke with him about his career.
LINKS
John S. Hall on IG
John S. Hall on FB
King Missile on Bandcamp
5
2323 ratings
King Missile emerged from the art-punk underground with a sound that defies easy categorization. Blending elements of spoken word, surrealist humor, alternative rock, and performance art, the band is best known for its 1992 hit “Detachable Penis,” a deadpan monologue over a hypnotic groove that unexpectedly broke into mainstream consciousness.
But King Missile is far more than a novelty act—it's the long-running vehicle for the singular voice of John S. Hall, a poet, satirist, and cultural observer with a sharp wit and even a sharper tongue.
John S. Hall recently stopped by Thunderlove Studio, and we spoke with him about his career.
LINKS
John S. Hall on IG
John S. Hall on FB
King Missile on Bandcamp
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