In November 2015, at the end of a ten month period which saw him play over 200 shows, Ryley Walker decided that he should probably head home. However you wished to measure it, he was surely due some sort of holiday. The preceding months had been extraordinary. In March, his second album Primrose Green , emerged to critical hosannas from the likes of NPR, Village Voice, Uncut, and Mojo – in the process, earning admiration of musicians who had chalked up no shortage of turntable miles in Walker’s