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Julia García (b. 1992, Pompano Beach, FL) uses a collage-like application of acrylic and ink onto wet raw canvas, where water acts as a collaborator, introducing an unpredictable external force which determines the outcome alongside the artist’s hand. With a practice that moves across painting and drawing, García’s work is unified by the compositional relationship between material and visible substrate, which proposes a state of tension between openness and resolution, information and exposure. Julia received her BFA from the School of Visual Art in 2014 and her MFA in 2016 from the Hoffberger School of Painting at Maryland Institute College of Art.
By Dan GratzJulia García (b. 1992, Pompano Beach, FL) uses a collage-like application of acrylic and ink onto wet raw canvas, where water acts as a collaborator, introducing an unpredictable external force which determines the outcome alongside the artist’s hand. With a practice that moves across painting and drawing, García’s work is unified by the compositional relationship between material and visible substrate, which proposes a state of tension between openness and resolution, information and exposure. Julia received her BFA from the School of Visual Art in 2014 and her MFA in 2016 from the Hoffberger School of Painting at Maryland Institute College of Art.