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Jonas “Jttg" answers the age old question "who watches the Watchmen" (he does), spells out "Doom Eternal" for us all and attempts to find the common ground between "Artemis Fowl" and "Burn After Reading"
James “Thebunyipman" speaks only mind-blowing truth from "The Midnight Gospel", perhaps finds his true calling by becoming a "Graveyard Keeper" and studies his own deep-seated homoeroticism in his review of "The Lighthouse".
The two sit down to review "Asher" (aka) "Hitman Redemption" in which Ron Pearlman's biggest threat is how bad the CGI explosion.
To support the podcast please review the show wherever you can!
https://www.podchaser.com/podcasts/the-bunyip-review-915677
Remember you can tune into twitch.tv/thebunyipman on the first Tuesday of any given month to watch us record the podcast live!
For live updates be sure to follow @thebunyipman and @jttg on Twitter
The intro music is "Rock Intro" from Scott Holmes Music with the Free Creative Commons Licence. The outro music is "Veronica Maggio type instrumental" from Lundstroem with the Free Creative Commons Licence.
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By James Willis, Jonas GaweSend us a text
Jonas “Jttg" answers the age old question "who watches the Watchmen" (he does), spells out "Doom Eternal" for us all and attempts to find the common ground between "Artemis Fowl" and "Burn After Reading"
James “Thebunyipman" speaks only mind-blowing truth from "The Midnight Gospel", perhaps finds his true calling by becoming a "Graveyard Keeper" and studies his own deep-seated homoeroticism in his review of "The Lighthouse".
The two sit down to review "Asher" (aka) "Hitman Redemption" in which Ron Pearlman's biggest threat is how bad the CGI explosion.
To support the podcast please review the show wherever you can!
https://www.podchaser.com/podcasts/the-bunyip-review-915677
Remember you can tune into twitch.tv/thebunyipman on the first Tuesday of any given month to watch us record the podcast live!
For live updates be sure to follow @thebunyipman and @jttg on Twitter
The intro music is "Rock Intro" from Scott Holmes Music with the Free Creative Commons Licence. The outro music is "Veronica Maggio type instrumental" from Lundstroem with the Free Creative Commons Licence.