In This is not the performance I had in mind (a recorded version of the text Wingman day one and beyond), circularity works in the form of returns–returns to a place, to a conversation, to an idea–and the swirl patterns produced by those returns.

Karen Christopher is a collaborative performance maker, performer, and teacher. She recently relocated from London to her new studio in Faversham where her company, Haranczak/Navarre Performance Projects, continues to focus on collaborative processes. She is devoted to paying attention as a practice of social cooperation. Karen was with Chicago-based Goat Island performance group for 20 years until the group disbanded in 2009. Her practice includes listening for the unnoticed, the almost invisible, and the very quiet.