SO FAR, KEMAL TUFAN’S SCULPTURES CONSİST OF SOLİD OR CLOSED VOLUMES, THAT OFTEN ARE OPENED UP TO SHOW OTHER ELEMENTS İNSİDE THAT LEAD TO DEEPER MEANİNGS. IN LATER SERİES OF WORKS, THE SCULPTURES BECOME TRANSPARENT. THEY ARE MADE OF STEEL WİRE İN A GRAPHİCAL, RHYTHMİCAL PATTERN THAT CHANGES AS YOU MOVE AROUND THE SCULPTURE. THE TRANSPARENT FİGURES ACTUALLY FORM CAGES, AS İNDİCATED BY THE LİTTLE DOOR İN EACH OF THEM. ON THE ONE HAND THEY ARE OPEN TO SPACE, ON THE OTHER CLOSED LİKE A PRİSON. KEMAL USES CONTRAST AND CONTRADİCTİON TO GET TO THE POİNT. A CLOUD SHAPE MAY SYMBOLİZE FREEDOM, BUT ON CLOSER İNSPECTİON İT TURNS OUT TO BE A CAGE.