Mary Catherine Kinniburgh is the co-director of Granary Books, an independent publisher and archives/rare book dealer. As a scholar of postwar American poetry and an archives broker, her activities occur at the intersection of research and praxis, and her writing often focuses on the poetics of archival work. In particular, her research explores making sense of high volume in literary collections.

In this talk, Kinniburgh discusses her ongoing series "Messy Archivist," which explores the interstitial qualities of working on archives through prose, poetry, and images. Published by her experimental imprint TKS Books, each "Messy Archivist" is a handmade chapbook that is often organized around a keyword, such as messy, or need. For the fourth volume and this talk, the premise is surface: what might be interpreted as an archival surface, and how does our attentiveness to the relationship between surface and depth inform our understanding of archives, especially at scale? Drawing on Sharon Marcus and Stephen Best’s concept of “surface reading” in literary texts, the physics of surfing, what puts the “relief” in relief printing, and Kinniburgh’s experiences working on specific archives at Granary Books, this talk will contextualize the concept of surface as a lens for the information overload that necessarily comes with archival work, and a critical approach for the toolkits of fellow scholars and archivists of twentieth century American poetry and beyond.