All composers have it- an endless supply of ideas and projects in their heads, starting everything but finishing very little of it. However, when working, more does not always mean more success. 

How do you decide what's most important to work on, and what helps you see a project through? Join me in talking about how to figure out for yourself what you should say "no" and "yes" to, and how to work on what's essential!

The book in reference is Essentialism by Greg McKeown.

It's a great one, and I'd definitely suggest reading it to help you navigate your creative ideas!

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