Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work by the Independent Group with reference to Return of the Gods, on display in the Duveens.
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work by the Independent Group with reference to Return of the Gods, on display in the Duveens.