Hello, hello, hello, what's all this then? A disappearance, on an Italian island, and the waves that this disappearance makes - and does not make - among a very loosely knit group of bourgeois 'friends'? Why, it's Michelangelo Antonioni's L'Avventura. A film that divided its critics, and then united them (a bit like Italy itself, really). But is it good, actually? Unsurprisingly, yes - yes it is. The boys explain why. Plus, a preview of the new cringey Fassbinder biopic 'Enfant Terrible'.