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The Rickard Sisters, Sophie and Scarlett, have produced two wonderful graphic novel adaptations of books by early 20th century radicals. First they made The Ragged Trousered Philanthropists, adapted from Robert Tressell's classic socialist story about a group of house painters who experience all of the horrors of laissez-faire capitalism. Then the Rickards made No Surrender, adapted from Constance Maud's neglected novel about the suffragette movement.
Today, the Rickards join to talk about why they see the struggles of a century ago as so enduringly relevant. They have spent years adapting these novels for today, and the results are beautiful, colorful, funny, and moving. These two adaptations are some of the contemporary left's most accomplished and dazzling contributions to the graphic novel medium. But what is it that makes the original books so compelling? What can Robert Tressell and Constance Maud still offer us, so long after their deaths? Listen to the Rickards explain their project.
By Current Affairs4.6
618618 ratings
The Rickard Sisters, Sophie and Scarlett, have produced two wonderful graphic novel adaptations of books by early 20th century radicals. First they made The Ragged Trousered Philanthropists, adapted from Robert Tressell's classic socialist story about a group of house painters who experience all of the horrors of laissez-faire capitalism. Then the Rickards made No Surrender, adapted from Constance Maud's neglected novel about the suffragette movement.
Today, the Rickards join to talk about why they see the struggles of a century ago as so enduringly relevant. They have spent years adapting these novels for today, and the results are beautiful, colorful, funny, and moving. These two adaptations are some of the contemporary left's most accomplished and dazzling contributions to the graphic novel medium. But what is it that makes the original books so compelling? What can Robert Tressell and Constance Maud still offer us, so long after their deaths? Listen to the Rickards explain their project.

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