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The Filmlosophers, Eddie Villanueva and Chad Riley, spend the last half of October discussing the distinctive style of Tim Burton - this week, focusing on his work in stop-motion animation. From his first professional forays in the medium in the early 1980s to integrating stop-motion into seminal classics such as Pee Wee's Big Adventure (1985) and Beetlejuice (1988), Burton later went on to spur the medium toward innovation. Burton revitalized the genre as a creative voice for the fan favorite The Nightmare Before Christmas (1993), directed by Henry Selick, then pushed it further with his full-length directorial debut The Corpse Bride (2005) and kept trying new techniques for Frankenweenie (2012).
By FilmlosophersThe Filmlosophers, Eddie Villanueva and Chad Riley, spend the last half of October discussing the distinctive style of Tim Burton - this week, focusing on his work in stop-motion animation. From his first professional forays in the medium in the early 1980s to integrating stop-motion into seminal classics such as Pee Wee's Big Adventure (1985) and Beetlejuice (1988), Burton later went on to spur the medium toward innovation. Burton revitalized the genre as a creative voice for the fan favorite The Nightmare Before Christmas (1993), directed by Henry Selick, then pushed it further with his full-length directorial debut The Corpse Bride (2005) and kept trying new techniques for Frankenweenie (2012).