Professor Kozlowski wrestles with the existential horror of realizing that Ray Bradbury, one of his favorite writers, may have turned into a hack and hypocrite during his later career.  He therefore delivers a confused, half-intelligible discussion of how Bradbury's 2003 detective-noir-ish Let's All Kill Constance fails to stand up to scrutiny from the perspective of its genre, its own idolization of early Hollywood, conventional writing wisdom, and Bradbury's own standards of good art.

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