"The field recording starts with "human" sounds but soon moves away from them, leaving only footsteps and nature sounds; it inspired a feeling of peaceful, slightly melancholy retreat, which I tried to express.
"The piece follows the original soundscape closely, leaving it a clear place in the mix, and apart from the added piano, all the sounds are from the soundscape itself."
Rosolina Mare beach soundscape reimagined by Mathias Rossignol.