After several decades of creating music in a manner that was beginning to feel routine, guitarist Miles Okazaki was searching for a fresh way to make music. He examined the processes of artists Ed Ruscha, Sol Lewitt, and Ken Price as templates for creating. In possession of these new ideas gleaned from these artists, he went into the studio with a group of musicians that were given prompts which were recorded and formed into what Miles refers to as musical “slabs.” These “slabs” were then sanded, polished, and sculpted, and the result is Miniture America, which Okazaki describes as a sonic treasure hunt, a collection of 22 vignettes exploring the wonder of chance encounters and “found” compositions.