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I did some recordings of Panchavadyam (Temple Orchestra) at Sri Sankarankulangara Temple festival (chuttu valakku) in Thrissur.
Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument.
Much like any chenda melam, panchavadyam is characterised by a pyramid-like rhythmic structure with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. However, in contrast to a chenda melam, panchavadyam uses different instruments (though ilathalam and kompu are common to both), is not related very closely to any temple ritual and, most importantly, permits a lot of personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka.
If you are listening to this on a podcast player; visit the web page to listen to another track. It’s part of my effort to record my surroundings. I hope you like it. Let me know what do you think.
By Thejesh GNI did some recordings of Panchavadyam (Temple Orchestra) at Sri Sankarankulangara Temple festival (chuttu valakku) in Thrissur.
Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument.
Much like any chenda melam, panchavadyam is characterised by a pyramid-like rhythmic structure with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. However, in contrast to a chenda melam, panchavadyam uses different instruments (though ilathalam and kompu are common to both), is not related very closely to any temple ritual and, most importantly, permits a lot of personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka.
If you are listening to this on a podcast player; visit the web page to listen to another track. It’s part of my effort to record my surroundings. I hope you like it. Let me know what do you think.