
Sign up to save your podcasts
Or


In this joyful, intimate conversation, Kimberly Warner reunites with artist and writer Elizabeth Jameson—whose work many listeners may remember from the original Unfixed docu-series and their later collaboration, MS Confidential. Together, they explore what it means to live inside an “imperfect body” without reducing that life to tragedy or inspiration.
Elizabeth shares how she once refused to look at her MRIs—“horrifying” proof of a progressive disease—until she made a radical pivot: transforming those clinical images into art, reclaiming her medical data and finding unexpected beauty in brain folds that resemble calligraphy. As MS progressed and she became quadriplegic, she adapted again, turning toward writing, speaking, and the ongoing practice of “making friends” with her body.
The conversation moves through reinvention, intimacy, and agency: how to articulate what you need when your body changes; how caregiving reshapes relationships; how swearing can be its own kind of medicine; and how aging, in a strange way, can become a homecoming—“I love getting older because I’m now normal.”
What emerges is not a neat lesson, but a lived philosophy: let it suck when it sucks, stay curious, keep redefining intimacy, and notice the people around you who make your life possible. A gathering full of grit, tenderness, laughter—and the kind of gratitude that feels like oxygen.
Thank you Nan Tepper, Francesca Bossert, Maura, Jay, Kathleen Kiddo, Monica Ticknor and many others for tuning into my live video with Elizabeth!
More about Elizabeth:
Elizabeth is a vibrant illustration of grace and grit, real chutzpah, turning lump of coal into diamonds and MRI’s into works of art. In other words, she is an artist and writer exploring what it means to live in an imperfect body as part of the shared human experience.
Elizabeth Jameson’s journey with multiple sclerosis has spanned over three decades, but before being diagnosed with multiple sclerosis, she worked as a public interest lawyer, representing incarcerated children and later advocating for kids with chronic illnesses and disabilities to receive the medical care they needed.
As her own disease progressed, she began transforming her MRIs into art — reclaiming her medical data and turning those clinical images into invitations for deeper, more human conversations about illness and disability. Her work now lives in permanent collections across the U.S. and internationally, including the National Institutes of Health, major universities, and medical schools.
Due to the progression of MS, she is now quadriplegic and can no longer create visual art without assistance. She writes and speaks widely about living with illness and disability. Her essays have appeared in The New York Times, The British Medical Journal, WIRED, and MIT’s Leonardo Journal. Her piece “Losing Touch, Finding Intimacy” was also included in the New York Times anthology About Us.
She gives talks around the country — including a TEDx talk called “Learning to Celebrate and Embrace Our Imperfect Bodies” — and her new book, An Intimate Journey, comes out later this spring that chronicles the various art methods the artist has used to understand her relationship with a disease that continues to advance: textile paintings, solar plate etchings, embroideries, and digital renderings created from the clinical data that she initially refused to face. Jameson has often referred to her MRIs as containing a secret language she yearns to comprehend.
You can view her expansive, extensive art and writing collections here.
By Kimberly Warner4.9
5353 ratings
In this joyful, intimate conversation, Kimberly Warner reunites with artist and writer Elizabeth Jameson—whose work many listeners may remember from the original Unfixed docu-series and their later collaboration, MS Confidential. Together, they explore what it means to live inside an “imperfect body” without reducing that life to tragedy or inspiration.
Elizabeth shares how she once refused to look at her MRIs—“horrifying” proof of a progressive disease—until she made a radical pivot: transforming those clinical images into art, reclaiming her medical data and finding unexpected beauty in brain folds that resemble calligraphy. As MS progressed and she became quadriplegic, she adapted again, turning toward writing, speaking, and the ongoing practice of “making friends” with her body.
The conversation moves through reinvention, intimacy, and agency: how to articulate what you need when your body changes; how caregiving reshapes relationships; how swearing can be its own kind of medicine; and how aging, in a strange way, can become a homecoming—“I love getting older because I’m now normal.”
What emerges is not a neat lesson, but a lived philosophy: let it suck when it sucks, stay curious, keep redefining intimacy, and notice the people around you who make your life possible. A gathering full of grit, tenderness, laughter—and the kind of gratitude that feels like oxygen.
Thank you Nan Tepper, Francesca Bossert, Maura, Jay, Kathleen Kiddo, Monica Ticknor and many others for tuning into my live video with Elizabeth!
More about Elizabeth:
Elizabeth is a vibrant illustration of grace and grit, real chutzpah, turning lump of coal into diamonds and MRI’s into works of art. In other words, she is an artist and writer exploring what it means to live in an imperfect body as part of the shared human experience.
Elizabeth Jameson’s journey with multiple sclerosis has spanned over three decades, but before being diagnosed with multiple sclerosis, she worked as a public interest lawyer, representing incarcerated children and later advocating for kids with chronic illnesses and disabilities to receive the medical care they needed.
As her own disease progressed, she began transforming her MRIs into art — reclaiming her medical data and turning those clinical images into invitations for deeper, more human conversations about illness and disability. Her work now lives in permanent collections across the U.S. and internationally, including the National Institutes of Health, major universities, and medical schools.
Due to the progression of MS, she is now quadriplegic and can no longer create visual art without assistance. She writes and speaks widely about living with illness and disability. Her essays have appeared in The New York Times, The British Medical Journal, WIRED, and MIT’s Leonardo Journal. Her piece “Losing Touch, Finding Intimacy” was also included in the New York Times anthology About Us.
She gives talks around the country — including a TEDx talk called “Learning to Celebrate and Embrace Our Imperfect Bodies” — and her new book, An Intimate Journey, comes out later this spring that chronicles the various art methods the artist has used to understand her relationship with a disease that continues to advance: textile paintings, solar plate etchings, embroideries, and digital renderings created from the clinical data that she initially refused to face. Jameson has often referred to her MRIs as containing a secret language she yearns to comprehend.
You can view her expansive, extensive art and writing collections here.